Hi folks,
I wanted to share an update on a long-term project with my good friend and customer, John. We started designing his listening room over 15 years ago. His beautiful home, perched on a hillside overlooking Hood Canal, was once a bed and breakfast and has always been one of my favorite places to visit. The stunning gardens, his incredible art collection, and the old-world architecture make it feel like a comfortable museum.
Our journey began when John and his wife wanted a high-end home theater system, which we installed on the upper floor of their home. During the theater design process, John and I would often take breaks to enjoy music in our listening room. As a true music connoisseur, John quickly became captivated by the possibilities of high-end audio and decided to embark on this lifelong adventure. Even with so many rooms in his home, he chose to add a dedicated wing just for music.
As technology has advanced, we’ve continuously upgraded his system over the years. Our most recent upgrade a few months ago was the Mola Mola Tambaqui, which elevated the overall music performance to a new level.
Yesterday, we replaced his power conditioner with the new Nordost Reference QB 10. I had recently installed this amazing device in our showroom and was so impressed that I called him the same day to tell him about it.
Given John’s background as a scientist, we like to use a scientific approach during our listening sessions to evaluate how a new product truly affects the sound. Carefully noting the exact volume levels and our listening positions, we first listened to an Emmylou Harris track John had been enjoying recently.
Then, we replaced his older line conditioner with the new QB 10 and started over. It took less than ten seconds to realize we were both hearing what seemed like a completely different recording. The best way to describe the difference was a calming sense of realism, Emmylou’s voice was no longer lost among the surrounding instruments but was clear and pure.
Next, we moved on to a very familiar recording of Tchaikovsky’s Violin Concerto in D Major, Op. 35, which is frankly one of the most difficult pieces to get right on any system. I wish all my customers could hear what we heard. Joshua Bell’s violin, even during the crescendos of the entire Berlin Philharmonic, remained so precise we could hear every nuance of every string.
John turned to me and simply said, “Can I write you a check?”
